david garcet, based in brussels, belgium has already releases on karton, pink slow motel, dirty dancing, biologique,... especially his track >emo< on karton003 was a really big hit around the globe and get support from a lot of jocks! now, its time for davids debut on kostbar musik. with his 2 tracks >hex< and >on dit que<, he continue this warm and melodic tech-house sound. both tracks are so emotional but also funky at once

david garcet, based in brussels, belgium has already releases on karton, pink slow motel, dirty dancing, biologique,... especially his track >emo< on karton003 was a really big hit around the globe and get support from a lot of jocks! now, its time for davids debut on kostbar musik. with his 2 tracks >hex< and >on dit que<, he continue this warm and melodic tech-house sound. both tracks are so emotional but also funky at once

a solid three tracker of dubbed out, disco driven underground grooves pulling some sweet sounds out of their record collection, broken home bust out a nice mix of tech house grooves with dusty soul samples main cut two fancy mixes throbbing clicky y drums with slow building guitar licks and filtered samples, working a hot hypnotic dancefloor groove flip for some more funky flavors on flack track and the ultra deep afterhours cut on the low!! solid ep for the inland knights and swirl people fans

another strong release by redshape / big with marcel dettman, lawrence and shed

an extremely tasty 4 tracker from the massively talented par grindvik. the a1 is a real killer with its rising synths and sledgehammer drums whereas the a2 is a perfect contrast with its slow intense minimal groove. the b1 again is a real floor burner with its driving groove and clever synth edits halfway. the record closes with a superb more minimal interpretation yet agin. drumcode again proves it is still one of the most cutting edge imprints around... limited backstock available

tweaked monosynth lines and rich polyphonic pads are featured on most tracks, and single note patterns of various timbre often reinforce the grooves. the title track on the a-side is as simple as effective and the name relates to some of the percussion parts which reminded them of a rodent digging a hole in the ground. first on the b-side is >if i was a man<, a slow-down groover with a dark and funky atmosphere, inspired by barbara alcindor s abstract spoken words, becomes more and more twisted towards the end of the track. last but not least, >zig zag<, which is named after the wobbly monosynth phrase which is being tweaked throughout the tune. all tracks speak of sweet, riding rhythms and nights full of action. pure quality

5 excellent deep slow motion trax between house and techhouse

the into the night ep is a wonderful deep, slow & moving record that should be one of the highlights in this years autumn sessions. into the night kicks off with some wild pitch – alike chords and builds up soulful, moody but strong. tectonic move is so damn groovy and might be one the funkiest trax ever coming out of the metaworld universe of matt flores. also the tempo of almost 120 bpm is sexy as hell... all percussions & the bass are played live by matt flores. “tectonic move” also features some extatic detroitish synths that makes you scream. a definitive winner! the tectonic move flores & saenger dub has been rearranged a bit by matt flores and farsides ingo saenger (one half of westpark unit). they stripped the tune, put more focus on the groove and re dubbed all harmonies & synths. the result is a funky smokers riddim for all you dubby tool headz out there.

another strong release by redshape / big with marcel dettman, lawrence and shed

two deep house delights from ron trent.journeyn2u is deep cosmic shit that osunlade and a handful of other exclusive deejays have been charting. its hot is a slow and sexy, boogie disco flavored track with a classic chicago house feel. and it is hot!! two killer tracks.

limited to 500 copies, coloured vinyl !! one of detroits most respected names, mike huckaby serves up a floor burning epic with his s y n t h mix. it opens up with killer shards of metallic chords, coloured in deep analogue emotion until the last second when a kick nearly explodes and drops low end so sinister your heart may skip a beat. this well crafted array of tone could only come from mikes expert use of the legendary waldorf wave synthesizer, with his timeless rendition of juans classic this is destined to be legendary. after the smoke clears were transported into ambient territory with intrusions lengthy 18 minute ambient voyage. the textures fade into pantone colours before opening up into a silvery lo-fi sonic palette, a sort of slow motion metamorphosis you could only compare to the works of thomas köner or wolfgang voigts, gas project. this is love in lo-fi

great larry levan cut that mutates from gospel/soul tinged disco to dubbed out electric boogie. edit by slow to speak

nice house mixes of this slow hip hop groover!!

mark e is simply unstoppable at the moment!! this is the fourth release in about 2 months and they just keep getting better… two epic slo-mo edits on jisco it is then. those of you that might remember the >smilling / for love< 12inch, this is in a similar sort of vein. slow, chuggy, with a gradual build-up thats tantalisingly sweet! as with all jiscomusic releases, this is highly limited so grab one quick!

famoser 3 tracker für die technoid-soulige tanzfläche der mit einem live eingespielten marimbaphon aufwartet und bei >steal my heart< einen originell kommentierten sample-diebstahl veranstaltet. support kommt von butane, alex attias, perc, 3 channels, agnes, jeff samuel, kiki.

excellent organic deep groovin funk on this new label from france called >need light records<

volume two from mcedits shows a slight expansion of his concept, but mostly hews true to the rows he hoed on volume one. his method is basically to take lovely ballads and slow jams and add a little house heat. its really remarkable how such a simple methodology can produce such effective results but the proof is in the grooves so drop the needle on these for some rich rewards.

electronic avantgarde! mooner edits.. conrad schnitzler is considered to be the keyfigure of electronic avantgarde music in europe. schnitzler, joseph beuys first student was member of tangerine dream and kluster (who would later become, cluster. many years ahead of his time, con was revolutionary in many aspects, he predated industrial music, sounded like kraftwerk and daf before they did and makes music today at the age of 71. mooner is not only known for zombie nations, kernkraft 400 that became a top ten hit in many european countries. he is also dj, compiler for the compilations, elaste, slow motion disco, on compost, and, together with pollyester just established a new label called love in c minor.

after >padre< (kitsune), archigram plays with asia argento for a slow rave anthem, spiced up with remixes from tomboys danish garage, alexander robotnicks charming discothèque, and scratch massive venemous bang bang

finest slow motion dub tech..

cool disco 3 tracker from top shelf done by phoreski (bare fist, fat fuk). the slow barelow has a sorta sleazy italo disco feel while on the flip elotric is a more uptempo frantic disco cut and monk fonk is a slow and steady bass heavy acid tinged groover. must have for idjut boys fans

dj slip classic.. ltd backstock.

limited to 500 copies on coloured vinyl !!! the mysterious intrusion project (feat. on echospace 007) emerges once again and delivers another epic release. throughout the original mix of >tswana dub< you find smooth textured pads and a bassline even the mighty king tubby would surrender to. the melodies evolve in slow motion over time as the synth hits open and close into a fierce midnight skanking session so lo-fi you would think this was recorded at studio 1 in the 1960s. on the flip side brendon moeller serves up heavy bass reductions, live melodicas, brass sections and spatially aware dub fx. the phase90 mix dissects intrusions original into a full spectrum spatial affair as deep as the sea, epic and beautiful...

luciano rmx !! in anticipation of open wide, his upcoming debut album, we are proud to present the first taste of dave aju’s mouth-based wizardry with >crazy place<. a deep, extended journey into aju’s vision of slow-burning melodic space disco. the warm vibe, building synth lines, and catchy choruses are guaranteed to please. on the flip, we are blessed with a great remix by luciano, who stretches the track out even further, traveling into the sublime musical territory of his finest work, perfectly complimenting the original. a strong and truly balanced 12 with >future classic< written all over it! label standard sleeve / jacket

another excellent release by mudd known for his releases on rong, bear entertainment and idjut boys’s noid label. two sweet tracks that goes out in a limited vinyl run on his own claremont 56 label. scaffold is an athmospheric piece of nu-disco that make you float away on the dance floor when the sun is rising above the sea. flip side is a slow paced disco funk track that sounds warm and gentle. perfect tracks to start/end the day with! limited copies as usual

smooth electro disco tunes incl remixes by detroit grand pubahs and patrick pulsinger

italian based eclipsemusics second outing comes with a serious release courtesy of passenger, young and talented producer of night drive music and paul macs sula muse fame. this two tracks 12inch confirms his interest in the deepest and more underground side of detroit techno. on side a >the fall< reveals the smoother side of this upcoming producer: a deep melodic techno builder, with emphasis on atmospheric strings and arpd melodies, developing on a funked up techno drum section. the flipside brings you the burner of the 12inch: >the funk< is an a epic, slow-growing and booty-shaking techno track with all the elements in its right place: a killer bassline over an effective drum work takes the flight with the building strings. namedropping would be useless in this case, just check with your ears

the classic of 1993/1994 now re-recorded by various producers, garotos de praia, lex van coeverden/rene vd weijde, bazzheadz (mental theo, recently 5 weeks #1 in the uk)

luciano rmx !! in anticipation of open wide, his upcoming debut album, we are proud to present the first taste of dave aju’s mouth-based wizardry with >crazy place<. a deep, extended journey into aju’s vision of slow-burning melodic space disco. the warm vibe, building synth lines, and catchy choruses are guaranteed to please. on the flip, we are blessed with a great remix by luciano, who stretches the track out even further, traveling into the sublime musical territory of his finest work, perfectly complimenting the original. a strong and truly balanced 12 with >future classic< written all over it!

killer phunked up minimal tech album...

locked in a studio filled to the roof with analog synths and a broken guitar, unit 4s ralf beck and sebastian of of art rock duo noblesse oblige have come up with one hell of a beast straight out of the cosmic underworld. a soundscape in which apache indians are chased by helicopter propellers, tribal bongo rhythms and hypnotic electronic arpeggios melange with surf guitars to create a delirious disco nightmare in slow motion. already a much requested favourite at hyped disco nirvana salon des amateurs in duesseldorf and featured in the upcoming new york k48 mix artzine.

big with: onur Özer, gregor tresher, davide squillace, d julz, josh wink, laurent garnier, john selway, bart skills, santi xpansul,.. step into the alley, into the groove. into the urban breeze and family hospitality of easy street! without using too many sounds or rhythms in the main track >ad hoc<, van rivers creates a warm, full sound spectrum, with a variety of angles. as daytime turns into nighttime this urban story continues. >slow sails is basically a tool that keeps on building from start to end, with focus on a wave-sounding reverb<, van rivers explains. and as twilight enters, >dusty leaves< turns this street scene upside down with its walking rhythm and spooky sounds. we are the spectators of an act in the vein of michael jacksons >thriller< epic. this release with van rivers really shows the variety of his sound from beginning to end! a powerful record for the floor that plays as well at home too

uzuri is proud to be releasing this talent s debut ep. >hohol< is the finest example of slow, compressed house and techno variations . it s a deep, sprawling affair that takes in sumptuous chicago reductions and crawling detroit shuffles, hypnotic grooves with enough funk to keep you going - complete with crazy compression and filtering. man of the moment, lerosa, comes up trumps with his rather filthy remix

nice price deal !!! the unhistories sound is psychedelic, but not in the paisley way. more mind expanding/modern...get it straight, singer isnt referencing any past trend in music. their idea involves their (very) original compositions tangling with voices stumbling, clucking, heaving, whipping, shrieking and sighing in a graceful jumble. this is a crux. this is unhistories. by way of introduction, the record is packaged in a way that brings the fun and the fury of singer into your hands, your home, your lap, your eyes, ears and headphones with life, weight and a glossy polish.

hector moralez forms another formidable partnership with jump recordings dj jaz. coming from the west side offers 2 top notch original cuts and kicks off with a bang on a1. drive slow combines smooth female vocals with organic keys to create a deep twisted house groover. summer windy is a peak time affair that uses live sax loops and sleek beats and arrives just in time for the start of those hot summer months. hudd traxx label bosses slum science pick the pace up on the b side with a remix that would fit in well into sets of jocks like inland knights, dj heather, ralph lawson, chris carrier & dj raoul. the slumsters work out tough beats with clever stabs,...

limited coloured 7 inch vinyl

>the other side of music...< kann man hier wohl sagen! vom abstrakt-balearisch anmutenden >transient<, über das französisch-romantisierende >perm< zum bollernden art-technoapproach eines >bootstrap<, und zurück zu zarten idm-schlafsongs wie >slow peel< gibt es hier vieles zu entdecken. toller neuer sound aus schweden!

opener >playing for keeps< is an exhilarating trip, centered around a swinging mapped by crunching beats. chopped and skewed, pulsing electro house melodies fight for attention with sampled cuts of big band, tiring to a slow and heavy halt before picking themselves up and punching it out to close. >playing for daddy’s girl< is an equally agitated reprise, introducing distorted 8-bit melodic tones and a throbbing deep bass into the fray as a sampled audience cheers on the ensuing battle for the listeners attention. on the b side, the mole transforms >playing for keeps< into a driving house number, with subtly escalating melodic synth growing into a deep and hypnotic dark electro sweat fest

mark e now returns to running back for another ep of original productions. and what a return it is! staying in his lovely kind of irresistible grooves between low slung bass and rattling snares, mark delivers three tracks of pure dance floor bliss. first off, we have slave 1 with its burning slow motion build up and a hookline that will not leave your head for at least a week. the flip of the medal, sees pulse friction giving off a warm synthesizer shower for what seems like an hour. finally, the incredibly bouncy human tightens the thumbscrew and should even make the ruffy and tuffy minded happy. our dear friends dixon from shocking innervisions and gilb r from rocking versatile are already in love with it, so please do not even try to resist. e is for ecstasy!

phonogenics >postcard< is slow burner, building and rising to a eventual climax of melancholic underwater deepness. this song will no doubt be played by those in the later time slots and anyone who wants to add a little journey to their mixes. our main man dex aka dave barker is back with another slice of some quality melodic quirky goodness. >yikes!< has a very chopped up funk/soul feel mixed with solid house beats. studio trickery and a hidden japanese opera helps the track evolve from its soulful beginning to another world entirely. finally, we are very pleased to bring you the first of many musical efforts from amantu wilde. not much is known about amantu as he is a bit of a recluse and does not offer up much information about himself. >g-g-got my eyes on you< is a very retro sounding track reminiscent of some classic new wave jams. pseudo industrial percussion and excellent filter work make this track something to remember. something strange for sure but we think people will like the break from the mod rn sounds

things go slow sometimes..

truffle music returns with andrew allsgood at the helm again. the up and coming producer and longtime toronto dj shows his promise once again with this slow grooving funk masterpiece that stretches over 7 minutes. the song travels through many sections and passes, carried the entire time by a driving dub bassline and vocal. for the lovers of deep, dubby and funky house and disco. nycs drrtyhaze (tirk, gomma) are commissioned on the remix and deliver the goods with an up tempo hypnotic stormer that sizzles with its surreal energy and simplicity. drrtyhaze use few elements from the original other than the vocal, taking it into deeper territory with a faster tempo and groove and much more electronic feel to the originals organic vibe.

incl argy remix !! tokyo s rising star ryo murakami has already put his diverse, electronic sound on the map with the >rise< ep on dessous last year, and received great praise for his track >my soul<, snapped up by steve bug for the fabric mix series, which was piled high with atmosphere and dark, club energy. his next 12 includes two new tracks, the title cut being >down the sky<, cooly influenced by old school house, but also more recent european forays into night music. ryo demonstrates a heavy aptitude for stripped down futurism, with staccato, jilted beats, joined by layers of padded synth structures, looming somewhere between light and darkness. the b side, ‚coke‘ (no questions asked) welcomes another one of ryo‘s extended journeys, this time a stronger, peak time groove which never lets off, and builds around layers of spaced out, pitching fx. brain-tingling pitching synths heat things up, before laying down a super-funk hook that melts on top of the beats irresistibly. ryo then leads us head-first into a series of spac d out, jacked-up movements, characterised by risque, feminine vocal snippets. poker flat‘s young greek maestro, argy, creates a stunning hi-tech remix of ‚down the sky,‘ complete with mesmeric dub influenced chord stabs and tripped out washes of delay. once again carrying on the vibe of the original, but twisting it into an altogether different beast, argy takes ryo‘s warm synth stabs and shapes the remix into a slow paced yet pumping club tool.

ultracool percussive tribal techno classics... last copies

in the spirit of dj only a capella mixing tools, slow to speak has assembled a collection of quotations, media clips, poems, interviews and monologues spanning a wide spectrum of social themes and critical perspectives. presented here on phonographic format for use on the dancefloor!!!

in the year of punk 1977, the jams exploded onto the music scene with this seminal debut album. the raw, unfettered aggression of the bands approach was well in keeping with the spirit of the times, but the heart of their songs and sound lay in the mod movement of the mid 60s. singer/guitarist paul weller comes off like a cross between joe strummer and the young pete townshend, bashing unreservedly through slow down, one of the r&b tunes that inspired the original mods. weller extols the virtues of frenzied dancing and nonconformist youth culture over the raging three chord attack of bassist bruce foxton and drummer rick buckler. the pure punk insouciance of his words and delivery is a perfect match for the raging but hooky arrangements, which basically consisted of the band walking into the studio and blazing through their live set. rickenbacker guitars never sounded so thick, and skinny ties never seemed less geeky.

we are very happy to present you a long time buzzing release finally out on sismic music. its called bloody rain signed under the name of the heels to give it a special flavour as it sounds pop with a strong and melodic hook! various artists put their hands on very original & stylish remixes such as fat phaze (who has remixed the daft punk), slow motion (one of sismic music rosters) and the two winners of the remix contest from october 2007: jonathan perea and leeroy daevis.

the second freak n chic release of 2008 brings the premier release from long-time fnc dj collaborator dyed soundorom. 01 >question< lays down a dubby slow-moving groove from the start, as the grooves pick up the questions land, letting the pace take you up and bring you down to the deep-grooved finish. 02 >infection< instantly creates a deep and dubby late-night vibe that holds back the pace and keeps the funk grooving. support coming from.. claude vonstroke, ali schwarz, anja schneider, damian lazarus, kiki, sebo k, shonky, shinedoe, camea, chloé, jennfier cardini, todd bodine, benno blome, anthony collins, jamie jones.

incl prins thomas remix !! killer alert from blackbelt andersen... this fine former techno producer and co resident at the full pupp nights in oslo deliever yet another unexpected slow burner, but this time keeping it simple, building the track around a nagging acid groove. prins thomas adds some disco chic on the b-side and.... you should just buy this... ps: blackbelts debut album is just around the corner